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Jealous? Me?

May 19th, 2010

I don’t know about you, but I’ve been seeing lots of notices lately about a symposium coming up in June in Washington, DC, on “Sustaining Culture in Copyright”, on how we can better balance “cultural innovation” with copyright owners’ rights. This happens to be taking place on June 22-24, right at the start of the American Library Association’s annual conference, also in DC. Now, I’m from Alaska, and generally the idea of being somewhere as warm as DC can be in the summer does not greatly appeal to me. After all, isn’t summer the time when folks should be leaving DC for cooler climes?! This time, though, I might be just a little bit jealous. Three whole days learning about copyright in a current context, with speakers like Peter Jaszi of Washington College of Law, American University, and William Patry, now of Google, Inc.! Information related to filesharing, social media, net neutrality! What fun!

For more information about UMUC’s Center for Intellectual Property’s 2010 Symposium, see http://www.umuc.edu/cip2010.

For more information about ALA’s Annual Conference, see http://www.ala.org/ala/conferencesevents/upcoming/annual/index.cfm

Freya Anderson ALA, Copyright news, Events

ALA, groups supporting First Amendment rights file amicus brief in Salinger case

August 6th, 2009

Via District Dispatch:

The American Library Association (ALA), the Association of Research Libraries (ARL), the Association of College and Research Libraries (ACRL), The Organization for Transformative Works, and the Right to Write Fund have filed an amicus curiae brief asking the U.S. Court of Appeals for the Second Circuit to reverse the Federal District Court judge’s ruling in Salinger v. Colting.

In July, the District Court ruled in favor of author J.D. Salinger, who claimed that Fredrik Colting, the author of “60 Years Later: Coming Through the Rye,” infringed his copyright on “Catcher in the Rye.” The District Court’s preliminary injunction prohibits the publication and distribution of the book, which the groups believe implicates free speech rights of authors, publishers and the public protected by the First Amendment.

In their “friend of the court” filing, the groups also assert that the judge applied too narrow an interpretation of the “fair use” doctrine, which permits new, transformative works into the marketplace.

A copy of the amicus brief can be found here.

Salinger Amicus Brief (Filed)

Timothy Vollmer ALA, Copyright news, Fair use , , , , , ,

OITP releases new online copyright education tools

July 10th, 2009

Via District Dispatch:

OITP announces the release of two new online copyright education tools: the Fair Use Evaluator and the Exceptions for Instructors eTool.  These great new resources–developed by Copyright Committee super member Michael Brewer–add to OITP’s repertoire of copyright tools, including the Public Domain Slider and the Section 108 Spinner.

The Fair Use Evaluator is an online tool that can help users understand how to determine if the use of a protected work is a “fair use.” It helps users collect, organize, and document the information they may need to support a fair use claim, and  provides a time-stamped PDF document for the users’ records. The Fair Use Evaluator is located at http://librarycopyright.net/fairuse.

fair use evaluator

The Exceptions for Instructors eTool guides users through the educational exceptions in U.S. copyright law, helping to explain and clarify rights and responsibilities for the performance and display of copyrighted content in traditional, distance and blended educational models. The Exceptions for Instructors eTool is located at http://librarycopyright.net/etool.

exceptions for instructors

These interactive copyright tools from OITP are all available under a Creative Commons Attribution-NonCommercial-Share Alike license for institutions such as libraries, schools, institutes, and universities to modify (adding their own, local copyright information and contacts) and use to educate their users about the limitations and exceptions in U.S. Copyright law.  The two latest tools also include functionality that can help users or institutions manage their use of copyrighted materials by allowing individuals to describe, share and keep a record of their intended use.

Timothy Vollmer ALA, Copyright resources , , , ,

Careful, Educators…

May 27th, 2009

The Copyright Alliance (not to be confused with the Library Copyright Alliance) is one of, if not *the* largest promoters of strong copyright in existence. It’s membership list mainly consists of copyright and entertainment industries. I’ll occasionally look at their cited scholarship when I feel like being depressed about the state of copyright scholarship. They’ve recently created the nonprofit Copyright Alliance Education Foundation to educate K-12 educators and students about copyright.

Unsurprisingly, I have problems with the materials found on that site. It’s not all bad, but one should be very careful before using any materials “as-is.” The materials stress the importance of permission, the vagueness of fair use, and a fear of technology. Believe it or not, I started reading the document with a sense of hope- creating copyright materials for K-12 is not easy. The organization has dedicated a lot of resources to this important subject; I had at they would acknowledge some of the purposes behind copyright law and the areas that are controversial. Sadly, it was not to be. In simplifying a complex subject (and this is even for the teachers, not only for the students), the organization has made their elements a lot less useful for educators who are actually interested in getting copyright right.

My biggest gripe is that they offer a simplistic and binary view of how copyright works, in and out of the classroom. In the guide for educators, they claim that the use of copyrighted materials requires fair use (characterized as scary, vague, uncertain) or permission. My first question: how in the world can you offer a copyright guide specifically for educators without talking about educational exemptions to copyright? We have actual exemptions specifically for educators in copyright law! Their guide specifically denies such exemptions. In the FAQ, they state that there are no special privileges for educators. That statement is completely incorrect. Sections 110(1) and 110(2) offer teachers ways to use copyrighted material that are not covered by fair use. Furthermore, their coverage of fair use could use a great deal of work. They don’t appear eager to have students attempt to use fair use, and in my opinion really minimize its importance.

As I was writing this message, Tim sent a message about EFF‘s new site: http://www.teachingcopyright.org/
The EFF talked about a “balanced” copyright system. The Copyright Alliance doesn’t. The EFF site walks people through the decision making process in determining whether or not a use is fair, and discusses different situations in which a use was determined to be fair. The EFF site isn’t perfect (and I’ll write to them with a couple of suggestions), but it’s a much more appropriate and realistic introduction, in my opinion.

Would that everyone could work together. The people in the copyright industries aren’t bad people. But there really are some fundamental differences in beliefs about public good and fairness in general that have made compromise difficult (and it seems to be the public side that is willing to compromise). I’ll write about this later when revisiting the government’s Section 108 report.

I believe that copyright is useful and important. I also believe that copyright exemptions are vital to creativity and innovation. Teachers, please be aware that there are problems with the Copyright Alliance’s approach. It’s very one-sided about issues that are not one-sided. I’m not saying reject it out of hand, but be careful. Not all of the true/false statements they offer can be evaluated by a true/false statement.

Carlos Ovalle ALA, Advocacy, Copyright news, Copyright resources, Fair use, School libraries, Technology

WIPO SCCR Update: LCA Offers Statement of Principles on Copyright Limitations and Exceptions for Libraries and Archives

May 27th, 2009

From District Dispatch:

The Library Copyright Alliance (LCA), made a statement on Limitations and Exceptions for Libraries and Archives at the WIPO Standing Committee on Copyright and Related Rights Eighteenth Session, Geneva, May 27th, 2009.

Mr. Chairman, the Library Copyright Alliance offers congratulations on your re-election and appreciates the opportunity to speak before this forum on the important issue of limitations and exceptions.

Copyright law has supported the essential functions of libraries, but in many nations, copyright law has not been updated sufficiently to allow for adequate uses of digital information. The absence of effective provisions addressing access to digital information constrains libraries from performing functions that copyright law has previously facilitated. At a time of dramatic technological change, the role of copyright limitations and exceptions has become unacceptably unbalanced.

We respectfully ask that Member States utilize the Statement of Principles on Copyright Limitations and Exceptions for Libraries and Archives, available on the table outside, when addressing gaps identified in national copyright laws. By doing so, Member States will be taking positive steps to promote the intellectual and creative life of their nations into the future.

The Library Copyright Alliance also supports the specific principles our library colleagues will mention in their interventions and asks you to consider the following:

  • Legal deposit laws and systems should be broadened to include works published in all formats and to allow for preservation of those works. It is an essential means for ensuring that the published heritage of a nation is acquired and preserved for all time. To address the fragile nature of digital works, legal deposit legislation should permit preservation of works regardless of format.
  • Libraries should be able to supply documents to the user directly or through an intermediary library irrespective of the format and the means of communication It should be permissible for works that have been lawfully acquired by a library or other educational institution to be made available in support of classroom teaching or distance education in a manner that does not unreasonably prejudice the rights holder.
  • An exception is needed to resolve the problem of orphan works, where the rights holder cannot be identified or located.
  • There should be a limitation on liability for libraries and library staff who act in good faith, believing or having reasonable grounds to believe, that they have acted in accordance with copyright law.

Thank you for your time.

LCA, Electronic Information for Libraries (eIFL), and the International Federation of Library Associations and Institutions (IFLA) offered a statement of principles on copyright limitations and exceptions for libraries and archives.

Statement of Principles on Copyright L&E (download PDF)
Statement of Principles on Copyright L&E (Open in Scribd)

The Library Copyright Alliance consists of the American Library Association (ALA), the Association of College and Research Libraries (ACRL), and the Association of Research Libraries (ARL). The purpose of the LCA is to work toward a unified voice and common strategy for the library community in responding to and developing proposals to amend national and international copyright law and policy for the digital environment. The LCA’s mission is to foster global access and fair use of information for creativity, research, and education.

Timothy Vollmer ALA, International copyright , , , , , ,